SETBFREE(1)

NAME
setBfree - DSP tonewheel organ

SYNOPSIS
setBfree [ OPTIONS ] [ property=value ... ]

DESCRIPTION
setBfree - DSP tonewheel organ

setBfree is a MIDI-controlled, software synthesizer designed to imitate the sound and properties of the electromechanical organs and sound modification devices that brought world-wide fame to the names and products of Laurens Hammond and Don Leslie.

OPTIONS

-c <filename>, --config <filename>
    Load alternate config file over default

-C, --noconfig
    Do not read the default configuration file the equivalent built-in defaults are still set

-d, --dumpcc
    Print a list of MIDI-CC mappings on startup

-D, --noCC
    do not load default CC map on startup

-h  Print short help text

-H, --help
    Print complete help text with parameter list

-l <pgm>
    Load a MIDI program-preset at startup (may override previous settings given with -r, -U,..)

-M <filename>, --midnam <filename>
    export current controller mapping to .midnam file

-p <filename>, --program <filename>
    Load alternate program file over default

-P, --noprogram
    Do not read the default program file the built-in programs are cleared as well

-r, --randomize
    Randomize initial preset (whacky but true)

-U, --upper <drawbar settings>
    Specify initial drawbar settings, for the upper manual as 9 digits. e.g. 808000000

-V, --version
    Print version information

  General Information:

    The configuration consists of two parts: program (pgm) and config (cfg).

    The static configuration of the properties of the instrument is defined in a .cfg file. There is no need to specify a config-file, as all configurable parameters have built-in default values. They can be overridden on startup using 'property=value' pairs or by loading a specific .cfg file. As the name /static/ implies, the properties can only be set on application start. Yet many of the properties merely define the initial value of settings which can later be modified during playback. The ones which can be dynamically modified are marked with an asterisk (*)

    Properties are modified by sending MIDI Control-Commands (CC) to the synth. The mapping of CCs to function can be modified by setting the "midi.controller.{upper|lower|pedal}.<CC>=<function>" property. Function-names are equivalent to property-names. e.g. "midi.controller.upper.22=overdrive.outputgain" assigns the overdrive-gain to MIDI-CC 22 on MIDI-channel 1 (upper) (Note: each function can assigned only once, however MIDI-CC can be re-used and trigger multiple function at the same time.)

    The program basically defines 'shortcuts'. Loading a program is usually equivalent to sending a series of CC. Programs are commonly used to define instruments (e.g. draw-bar settings to mimic a flute) or provide scalepoints (e.g. reverb=64). There are a few special commands which are only available by recalling a program (randomize settings, split-manuals, enable overdrive).

    Programs are defined in a .pgm file and are fixed after starting the application. They are activated by sending MIDI-program-change messages (also known as 'presets') MIDI-banks are ignored. So at most 127 programs can be specified.

    At startup 'default.cfg' and 'default.pgm' in $XDG_CONFIG_HOME/setBfree/ (default: $HOME/.config/setBfree/) are are evaluated if the files exist, unless '--noconfig' or '--noprogram' options are given. An additional config or program file can be loaded using the '-c' and '-p' option respectively.

    Example config: "/usr/share/setBfree/cfg/default.cfg"

    Example program: "/usr/share/setBfree/pgm/default.pgm"

  Instrument Properties:

    Below is a list of available property-value pairs and their default values. The default value is omitted "(-)" for properties which contain an array of values.

    The type identifiers are: 'S': text-string, 'I': integer, 'F': float, 'D': double-precision float.

    Properties marked with an asterisk (*), are available as MIDI CC functions. When used as CC, the values 0-127 (MIDI data) is mapped to a range of values appropriate to the function. In config-files or on the command-line you must you the type as specified e.g. "osc.temperament=gear60 osc.wiring-crosstalk=0.2"

  Parameters for 'Main':

midi.driver
    S ("jack")

    The midi driver to use, 'jack' or 'alsa'

midi.port
    S ("")

    The midi port(s) to auto-connect to. With alsa it's a single port-name or number, jack accepts regular expressions.

jack.connect
    S ("system:playback_")

    Auto connect both audio-ports to a given regular-expression. This setting is ignored if either of jack.out.{left|right} is specified.

jack.out.left
    S ("")

    Connect left-output to this jack-port (exact name)

jack.out.right
    S ("")

    Connect right-output to this jack-port (exact name)

  Parameters for 'MIDI Parser':

midi.upper.channel
    I (1)

    The MIDI channel to use for the upper-manual. range: [1..16]

midi.lower.channel
    I (2)

    The MIDI channel to use for the lower manual. range: [1..16]

midi.pedals.channel
    I (3)

    The MIDI channel to use for the pedals. range: [1..16]

midi.controller.reset
    I ("-")

    Clear existing CC mapping for all controllers (if non-zero argument is given). See also -D option.

midi.controller.upper.<cc>
    S ("-")

    Specify a function-name to bind to the given MIDI control-command. <cc> is an integer 0..127. Defaults are in midiPrimeControllerMapping() and can be listed using the '-d' commandline option. See general information.

midi.controller.lower.<cc>
    S ("-")

    see midi.controller.upper

midi.controller.pedals.<cc>
    S ("-")

    see midi.controller.upper

midi.transpose
    I (0)

    Global transpose (noteshift) in semitones.

midi.upper.transpose
    I (0)

    Shift/transpose MIDI-notes on upper-manual

midi.lower.transpose
    I (0)

    Shift/transpose MIDI-notes on lower-manual

midi.pedals.transpose
    I (0)

    Shift/transpose MIDI-notes on pedals

midi.upper.transpose.split
    I (0)

    Noteshift for upper manual in split mode

midi.lower.transpose.split
    I (0)

    Noteshift for lower manual in split mode

midi.pedals.transpose.split
    I (0)

    Noteshift for lower manual in split mode

  Parameters for 'MIDI Program Parser':

pgm.controller.offset
    I (1)

    Compensate for MIDI controllers that number the programs from 1 to 128. Internally we use 0-127, as does MIDI. range: [0,1]

  Parameters for 'Tone Generator':

osc.tuning
    D (440.0)

    Base tuning of the organ.

osc.temperament
    S ("gear60")

    Tuning temperament, gear-ratios/motor-speed. One of: "equal", "gear60", "gear50"

osc.x-precision
    D (0.001)

    Wave precision. Maximum allowed error when calculating wave buffer-length for a given frequency (ideal #of samples - discrete #of samples)

osc.perc.fast
    D (1.0)

    Fast percussion decay time

osc.perc.slow
    D (4.0)

    Slow percussion decay time

osc.perc.normal
    D (1.0)

    Percussion starting gain of the envelope for normal volume.

osc.perc.soft
    D (0.5012)

    Percussion starting gain of the envelope for soft volume.

osc.perc.gain
    D (11.0)

    Basic volume of the percussion signal, applies to both normal and soft

osc.perc.bus.a
    I (3)

    range [0..8]

osc.perc.bus.b
    I (4)

    range [0..8]

osc.perc.bus.trig
    I (8)

    range [-1..8]

osc.eq.macro
    S ("chspline")

    one of "chspline", "peak24", "peak46"

osc.eq.p1y
    D (1.0)

    EQ spline parameter

osc.eq.r1y
    D (0.0)

    EQ spline parameter

osc.eq.p4y
    D (1.0)

    EQ spline parameter

osc.eq.r4y
    D (0.0)

    EQ spline parameter

osc.eqv.ceiling
    D (1.0)

    Normalize EQ parameters.

osc.eqv.<oscnum>
    D (-)

    oscnum=[0..127], value: [0..osc.eqv.ceiling]; default values are calculated depending on selected osc.eq.macro and tone-generator-model.

osc.harmonic.<h>
    D (-)

    specify level of given harmonic number.

osc.harmonic.w<w>.f<h>
    D (-)

    w: number of wheel [0..91], h: harmonic number

osc.terminal.t<t>.w<w>
    D (-)

    t,w: wheel-number [0..91]

osc.taper.k<key>.b<bus>.t<wheel>
    D (-)

    customize tapering model. Specify level of [key, drawbar, tonewheel].

osc.crosstalk.k<key>
    S (-)

    value colon-separated: "<int:bus>:<int:wheel>:<double:level>"

osc.compartment-crosstalk
    D (0.01)

    Crosstalk between tonewheels in the same compartment. The value refers to the amount of rogue signal picked up.

osc.transformer-crosstalk
    D (0)

    Crosstalk between transformers on the top of the tg.

osc.terminalstrip-crosstalk
    D (0.01)

    Crosstalk between connection on the terminal strip.

osc.wiring-crosstalk
    D (0.01)

    Throttle on the crosstalk distribution model for wiring

osc.contribution-floor
    D (0.0000158)

    Signals weaker than this are not put on the contribution list

osc.contribution-min
    D (0)

    If non-zero, contributing signals have at least this level

osc.attack.click.level
    D (0.5)

    Amount of random attenuation applied to a closing bus-oscillator connection.

osc.attack.click.maxlength
    D (0.6250)

    The maximum length of a key-click noise burst, 100% corresponds to 128 audio-samples

osc.attack.click.minlength
    D (0.1250)

    The minimum length of a key-click noise burst, 100% corresponds to 128 audio-samples

osc.release.click.level
    D (0.25)

    Amount of random attenuation applied to an opening bus-oscillator

osc.release.model
    S ("linear")

    Model applied during key-release, one of "click", "cosine", "linear", "shelf"

osc.attack.model
    S ("click")

    Model applied during key-attack; one of "click", "cosine", "linear", "shelf"

  Parameters for 'Vibrato Effect':

scanner.hz
    D (7.25)

    Frequency of the vibrato scanner

scanner.modulation.v1
    D (3.0)

    Amount of modulation for vibrato/chorus 1 setting

scanner.modulation.v2
    D (6.0)

    Amount of modulation for vibrato/chorus 2 setting

scanner.modulation.v3
    D (9.0)

    Amount of modulation for vibrato/chorus 3 setting

  Parameters for 'Preamp/Overdrive Effect':

overdrive.inputgain
    F* (0.3567)

    This is how much the input signal is scaled as it enters the overdrive effect. The default value is quite hot, but you can of course try it in anyway you like; range [0..1]

overdrive.outputgain
    F* (0.07873)

    This is how much the signal is scaled as it leaves the overdrive effect. Essentially this value should be as high as possible without clipping (and you *will* notice when it does - Test with a bass-chord on 88 8888 000 with percussion enabled and full swell, but do turn down the amplifier/headphone volume first!); range [0..1]

xov.ctl_biased
    F* (0.5347)

    bias base; range [0..1]

xov.ctl_biased_gfb
    F* (0.6214)

    Global [negative] feedback control; range [0..1]

overdrive.character
    F* (-)

    Abstraction to set xov.ctl_biased_fb and xov.ctl_biased_fb2

xov.ctl_biased_fb
    F* (0.5821)

    This parameter behaves somewhat like an analogue tone control for bass mounted before the overdrive stage. Unity is somewhere around the value 0.6, lesser values takes away bass and lowers the volume while higher values gives more bass and more signal into the overdrive. Must be less than 1.0.

xov.ctl_biased_fb2
    F* (0.999)

    The fb2 parameter has the same function as fb1 but controls the signal after the overdrive stage. Together the two parameters are useful in that they can reduce the amount of bass going into the overdrive and then recover it on the other side. Must be less than 1.0.

xov.ctl_sagtobias
    F* (0.1880)

    This parameter is part of an attempt to recreate an artefact called 'power sag'. When a power amplifier is under heavy load the voltage drops and alters the operating parameters of the unit, usually towards more and other kinds of distortion. The sagfb parameter controls the rate of recovery from the sag effect when the load is lifted. Must be less than 1.0.

  Parameters for 'Leslie Cabinet Effect':

whirl.bypass
    I (0)

    If set to 1, completely bypass the leslie emulation

whirl.speed-preset
    I (0)

    Initial horn and drum speed. 0:stopped, 1:slow, 2:fast

whirl.horn.slowrpm
    D (40.32)

    Target RPM for slow (aka choral) horn speed

whirl.horn.fastrpm
    D (423.36)

    Target RPM for fast (aka tremolo) horn speed

whirl.horn.acceleration
    D* (0.161)

    Time required to accelerate the horn (exponential time constant)

whirl.horn.deceleration
    D* (0.321)

    Time required to decelerate the horn (exponential time constant)

whirl.horn.brakepos
    D* (0)

    Horn stop position. Clockwise position where to stop. (0: free-stop, 1.0:front-center)

whirl.drum.slowrpm
    D (36.0)

    Target RPM for slow (aka choral) drum speed.

whirl.drum.fastrpm
    D (357.3)

    Target RPM for fast (aka tremolo) drum speed.

whirl.drum.acceleration
    D* (4.127)

    Time required to accelerate the drum (exponential time constant)

whirl.drum.deceleration
    D* (1.371)

    Time required to decelerate the drum (exponential time constant)

whirl.drum.brakepos
    D* (0)

    Drum stop position. Clockwise position where to stop. (0: free-stop, 1.0:front-center)

whirl.drum.width
    D (0)

    Drum stereo width (LV2 only) (-1: left mic, 0: stereo, 1: right mic)

whirl.horn.width
    D (0)

    Horn stereo width (LV2 only) (-1: left mic, 0: stereo, 1: right mic)

whirl.horn.radius
    D (19.2)

    Horn radius in centimeter

whirl.drum.radius
    D (22.0)

    Drum radius in centimeter

whirl.mic.distance
    D (42.0)

    Distance from mic to origin in centimeters

whirl.horn.mic.angle
    D (180.0)

    Horn Stereo Mic angle

whirl.horn.offset.z
    D (0.0)

    Offset of horn perpendicular to mic to front, in centimeters

whirl.horn.offset.x
    D (0.0)

    Offset of horn towards left mic, in centimeters

whirl.horn.level
    D (0.7)

    Horn wet-signal volume

whirl.horn.leak
    D (0.15)

    Horn dry-signal signal leakage

whirl.drum.filter.type
    I* (8)

    This filter separates the signal to be sent to the drum-speaker. It should be a high-shelf filter with negative gain. Filter type: 0-8. see "Filter types" below.

whirl.drum.filter.q
    D* (1.6016)

    Filter Quality, bandwidth

whirl.drum.filter.hz
    D* (811.9695)

    Filter frequency.

whirl.drum.filter.gain
    D* (-38.9291)

    Filter gain

whirl.horn.filter.a.type
    I* (0)

    This is the first of two filters to shape the signal to be sent to the horn-speaker; by default a low-pass filter with negative gain to cut off high frequencies. Filter type: 0-8. see "Filter types" below.

whirl.horn.filter.a.hz
    D* (4500)

    Filter frequency

whirl.horn.filter.a.q
    D* (2.7456)

    Filter quality, bandwidth

whirl.horn.filter.a.gain
    D* (-30.0)

    Filter gain

whirl.horn.filter.b.type
    I* (7)

    This is the second of two filters to shape the signal to be sent to the horn-speaker; by default a low-shelf filter with negative gain to remove frequencies which are sent to the drum. Filter type: 0-8. see "Filter types" below.

whirl.horn.filter.b.hz
    D* (300.0)

    Filter frequency

whirl.horn.filter.b.q
    D* (1.0)

    Filter Quality, bandwidth

whirl.horn.filter.b.gain
    D* (-30.0)

    Filter gain

  Parameters for 'Reverb Effect':

reverb.wet
    D (0.1)

    Reverb Wet signal level; range [0..1]

reverb.dry
    D (0.9)

    Reverb Dry signal level; range [0..1]

reverb.inputgain
    D (0.1)

    Reverb Input Gain

reverb.outputgain
    D (1.0)

    Reverb Output Gain (modifies dry/wet)

reverb.mix
    D* (0.1)

    Reverb Mix (modifies dry/wet).

  Filter Types (for Leslie):

0   LPF low-pass

1   HPF high-pass

2   BF0 band-pass 0

3   BF1 band-pass 1

4   NOT notch

5   APF all-pass

6   PEQ peaking eq

7   LSH low shelf

8   HSH high shelf

Note that the gain parameter does not apply to type 0 Low-Pass-Filters.

  Additional MIDI Control-Command Functions:

    These properties can not be modified directly, but are meant to be mapped to MIDI-controllers (see "General Information" above) e.g. "midi.controller.upper.70=upper.drawbar16".

{upper|lower|pedal}.drawbar<NUM>
    I* (-)

    where <NUM> is one of [16, 513, 8, 4, 223, 2, 135 , 113, 1]. Set MIDI-Controller IDs to adjust given drawbar. -- The range is inversely mapped to the position of the drawbar, so that fader-like controllers work in reverse, like real drawbars. Note that the MIDI controller values are quantized into 0 ... 8 to correspond to the nine discrete positions of the original drawbar system: 0:8 (loudest), 1-15:7, 16-31:6, 32-47:5, 48-63:4, 64-79:3, 80-92:2, 96-110:1, 111-127:0(off)

rotary.speed-preset
    I* (-)

    set horn and drum speed; 0-stop, 1:slow, 2:fast

rotary.speed-toggle
    I* (-)

    toggle rotary.speed-preset between 1/2

rotary.speed-select
    I* (-)

    low-level access function 0..8 (3^2 combinations) [stop/slow/fast]^[horn|drum]

swellpedal1
    D* (0.7)

    set swell pedal gain

swellpedal2
    D* (0.7)

    identical to swellpedal1

vibrato.knob
    I* (0)

    <22:vibrato1, <44:chorus1, <66:vibrato2, <88:chorus2, <110vibrato3, >=110:chorus3

vibrato.routing
    I* (0)

    <32:off, <64:lower, <96:upper, >=96:both

vibrato.upper
    I* (0)

    <64:off, >=64 on

vibrato.lower
    I* (0)

    <64:off, >=64 on

percussion.enable
    I* (0)

    <16:off, <63:normal, <112:soft, >=112:off

percussion.decay
    I* (0)

    <64: fast-decay, >=64 slow decay

percussion.harmonic
    I* (0)

    <64: third harmonic, >=64 second harmonic

overdrive.enable
    I* (0)

    <64: disable overdrive, >=64 enable overdrive

EXAMPLES
setBfree setBfree -p pgm/default.pgm midi.port="a2j:[AV]" midi.driver=jack setBfree midi.port=129 midi.driver=alsa jack.connect=jack_rack:in_ setBfree jack.out.left=system:playback_7 jack.out.right=system:playback_8 setBfree -U 868000000

REPORTING BUGS
Report bugs at <http://github.com/pantherb/setBfree/issues>.
Website and manual: <http://setbfree.org>

COPYRIGHT
Copyright © 2008-2018 Robin Gareus <robin@gareus.org>
Copyright © 2012 Will Panther <pantherb@setbfree.org>
Copyright © 2010 Ken Restivo <ken@restivo.org>
Copyright © 2003-2004 Fredrik Kilander <fk@dsv.su.se>

This is free software; see the source for copying conditions. There is NO warranty; not even for MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.