#N canvas 746 73 538 623 12;
#X declare -stdpath ./;
#X obj 61 227 output~;
#X obj 61 191 +~;
#X text 279 579 updated for Pd version 0.40.;
#X obj 61 123 +~;
#X obj 186 118 +~;
#X obj 186 60 osc~ 440;
#X obj 61 60 osc~ 330;
#X obj 79 91 osc~ 330.2;
#X obj 204 91 osc~ 440.33;
#X obj 321 115 +~;
#X obj 322 60 osc~ 587;
#X obj 339 91 osc~ 587.25;
#X obj 61 160 +~;
#X text 118 14 Beating between closely tuned sinusoids;
#X text 43 305 In each of the three pairs of oscillators above \, the
two frequencies are within 1/3 Hz or closer (for example \, the leftmost
ones are close to 330 Hz but separated by 1/5 Hz.) The result is a
gradual change in amplitude as the phases of the two slip against each
other. This is called beating. More complex beating patterns may be
made by using three or more oscillators. Also their amplitudes need
not be equal (as they are here).;
#X text 41 432 They are all summed using "+~" boxes. They could have
been summed in any order ("+~" is commutative for practical purposes)
but here they are added in pairs to emphasize the relationships between
them.;
#X text 40 499 In contrast to the previous example \, the oscillators
are not tuned to the overtone series (ratios 1:2:3:4...) and so the
frequencies 330 \, 440 \, and 587 are heard separately.;
#X obj 57 569 declare -stdpath ./;
#X connect 1 0 0 0;
#X connect 1 0 0 1;
#X connect 3 0 12 0;
#X connect 4 0 12 1;
#X connect 5 0 4 0;
#X connect 6 0 3 0;
#X connect 7 0 3 1;
#X connect 8 0 4 1;
#X connect 9 0 1 1;
#X connect 10 0 9 0;
#X connect 11 0 9 1;
#X connect 12 0 1 0;
